| From
ancient psychedelic blues to post-modern Tex Mex, stopping off en
route to allow America’s toughest singer, Johnny Dowd
to narrate a horror story (‘The Skaters’) about a man
killing a woman by a river, Jackie Leven’s
new album, Oh What A Blow That Phantom Dealt Me! finds him
moving deeper into mysterious emotional territory …
Kindred spirit
Johnny Dowd, as well as narrating ‘The Skaters’,
contributes counterpoint vocals on two other songs – ‘One
Man One Guitar’ and ‘I’ve Been Everywhere’.
The two men played a show together in March 2006 in the Austrian
alpine town of Kufstein, and after a long evening partaking of Johnny’s
bottle of home-made Czechoslovakian absinthe (“the real stuff”-
Johnny) agreed to collaborate on disc.
Leon
Hunt is one of the UK’s finest banjo players whose
solo albums and work with the band Daily Planet have long been admired
by Jackie. Says Jackie, “I asked Leon if he could provide
texture and understatement, rather than just be flashy, and I love
what he played – for instance, the pathos he provides on ‘Here
Come The Urban Ravens’ is simply perfect.”
D.J.
Unfit For Work provides a guest track at the end of the
album, ‘Mellow My Madness’, on which Jackie plays no
part. Real name Phil Murphy, singer songwriter D.J was previously
known for his superb mid ‘80’s band The Regular Guys,
and this track was written, sung, performed and recorded in his
London flat. Both Jackie and D.J. have strong links with the London-based
pressure group Mad Pride who, as well as releasing excellent records
on their own label, exist primarily to promote civil liberties as
they pertain to mental health service users. Says Jackie, “The
album has a very dark end and D.J.’s beautiful song has a
nobility and grace under pressure to which most songwriters can
only aspire.”
The album was
co-produced by Jackie and engineer David Wrench
mainly at Bryn Derwen Studio in Snowdonia, Wales, UK, with additional
recording at Leon Hunt’s studio in Bath, England, UK. However,
the vocals on the slower songs are first takes which were sung by
Jackie in The Ukrainian Cathedral Of The Holy Family In Exile in
central London, UK.
The song ‘The
Silver In Her Crucifix’ is a homage to Jackie’s all
time favourite singer the late Judee Sill, and ‘Here Come
The Urban Ravens’ is a homage to the late and much loved Kevin
Coyne.
Last word from
Jackie: “The bluesy elements (of the songs) are actually more
acid than psychedelic, more content than style: although I haven’t
taken acid for years I am occasionally overwhelmed by flashbacks
– for instance, every time I look at a patterned carpet I
see Mickey Mouse on horseback in the style of a medieval knight.
On ‘The Long Hard Field’ I asked (engineer) David Wrench
to construct a Tex Mex percussion track. When I came back and he
played it to me I said ‘it’s not very Tex Mex is it?’”
“It’s
post-modern Tex Mex” he replied.
Accompanying
Notes for
“OH WHAT A BLOW THAT PHANTOM DEALT ME”
ONE
MAN ONE GUITAR
‘There’s
a woman on the snowline selling sex - she got a little tartan skirt
and a bottle of Beck’s’
Driving on tour
in early 2006, from Dresden to Vienna via Czechoslovakia, we came
down a long mountain pass towards one of the most godforsaken towns
I have ever seen – and I’ve been to Barry … As
we descended via hairpin bends, I glanced to the right and saw a
glamorous coloured woman standing in a clearing of pine trees, just
where the snow ended, wearing a tartan skirt (MacDonald dress tartan)
and holding a bottle of Beck’s beer.
‘Did you
see that?’ I said to fellow traveller Michael Cosgrave –
‘why would that woman be standing there?’
‘Yes I
saw her’ said Michael – ‘but look at this’…
Looking ahead
I saw that the entire town seemed to be lining the street in billowing
snow, clearly selling sex, and also that most of the buildings were
brothels with names like ‘Hotel California – Best Massage’.
Old men and women, people in wheelchairs, and very young teenagers,
all peered into our tour bus, beckoning us to stop and go with them.
It was one of the saddest and most disturbing places imaginable.
‘Do you
want to stop?’ asked Thomas our tour manager. We didn’t.
I’VE
BEEN EVERYWHERE
In 2006 me and
Johnny Dowd played a show together in Kufstein, a beautiful town
in the Austrian Alps. In the hotel bar afterwards we were carrying
on drinking, having finished Johnny’s bottle of home made
over-strength Czechoslovakian absinthe. A German businessman got
talking to us, and hearing that I played in Germany a lot, asked
me where I’d played. I named a few places, and the man started
asking me about other places – ‘Have you been to Wuppertal?’
I’d say yes, and Johnny would drawl ‘he’s been
EVERYWHERE!’
‘Have
you been to Baden Baden?’ – ‘He’s been EVERYWHERE!’
This went on
for a long time, until suddenly I heard myself breaking into song
with the old American favourite ‘I’ve been everywhere
man, breathed that mountain air man’ etc. A great recording
idea was born…
THE
SILVER IN HER CRUCIFIX
My homage to
the late Judee Sill, written in cold harbour bars in the city of
Portsmouth – just me and a few hung-over marines standing
round a fruit machine.
HERE
COME THE URBAN RAVENS
My homage to
Kevin Coyne – I was asked to sing a Kevin Coyne song for a
tribute album, but asked if I could write a song about Kevin instead.
I then got stuck as to how to start until I read in the paper about
how ravens, having become nearly extinct in the UK, were making
a big comeback, and how these previously shy Moorland birds were
now to be seen looking through people’s rubbish bins in many
cities. My idea is that the spirit of Kevin Coyne has entered raven
genetic stock and made this possible for them. You may think this
a little unlikely, but the more you consider it…
THE
SKATERS
This is a prose
poem from the book ‘Still Another Pelican in the Breadbasket’
by the late Kenneth Patchen, a great American writer, and a huge
influence upon me. (His masterpiece – ‘The Journal of
Albion Moonlight’.) I hear it as a twisted confession to murder
by a man who is slipping away from sanity even as he speaks. As
far as I’m aware, Patchen never qualified this piece of writing,
so this is only my dark take on it. When I sent it to Johnny, he
wrote back – ‘it’s gonna be hard’. For me
it’s just a stunning performance and one of the best things
to ever come on to my records.
MELLOW
MY MADNESS
I’ve developed
a happy association with Mad Pride, a London based organisation
which campaigns on behalf of people with mental health issues (Kevin
Coyne is their kind of patron saint). Lots of the music coming out
of this movement is brilliant, though off-kilter. My favourite artist
in their stable is D.J. Unfit for Work, and this track, recorded
by D.J. at home acts a suitable coda to the album, following, as
it does The Skaters. The song says you can live successfully on
the borderline in the face of deep loss as long as people still
care about you unconditionally - so different from the stark fate
of the man (and the woman, if she ever existed) in The Skaters.
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