![]() |
![]() |
|||||
![]() |
||||||
|
||||||
|
||||||
| CRACKER "Countrysides" (COOKING VINYL) Irish Released 25th July 2003 It was in the recording studio last year that Brandy and Kenny first discussed the sudden appearance of the mullet haircut worn by hipsters in the East Village. Though widely parodied, it seemed as if a few brave souls had embraced the haircut as the ultimate fashion statement. Brandy: Yeah, but they're not real mullets. Kenny: You mean they're
wigs? Kenny: Ironic mullets hmm. That's a good band name. Maybe that should be the pseudonym for Cracker's alter ego. The alter ego Kenny referred to is the country band that lurks within Cracker. The band within the band. The one that manifests itself in a song or two on every Cracker record and live during a Merle Haggard song at soundcheck or a Dwight Yoakam song during the encore. Before long, the "alter ego" was booked for one show. The band humbled the audience with its business on top and a party in the back show. The show was a success and the band asked, "What would Cracker sound like if it were a country band?" This was an interesting question for a band that draws so much from Americana and country music. The band decided that the only way to answer this question properly was to get out and play some more shows. Some might call this method acting. Of course, it couldn't play in the traditional venues that Cracker had become used to and it couldn't perform under their own name. Thus, Ironic Mullet was born. The band, not the haircut. During a six-month period, the band played redneck and biker bars as Ironic Mullet. You've seen these places along the old highways and on the outskirts of our big cities--bars with names such as Ape Hangers, Bubba's and The Rebel Lounge. "Countrysides" is the result of this experiment. Its sound is more garage country than alt-country. More Southwestern than Southern. Yet undeniably, it still has the things that I like so much about Cracker's records. Best of all, the record has that sense of place and context that Cracker records always have. This is evident in the film that accompanies the record (the enhanced portion of this CD contains an excerpt). In the film, it's explicitly clear that the band made this record against the backdrop of a coming war, resurgent American imperialism and a far-right Christian fundamentalist regime in Washington DC. Songs like Merle Haggard' s "Okie from Muskogee" and Ray Wylie Hubbard¹' "Up Against the Wall Redneck Mothers" are changed from being quaint relics of a bygone era to timely agit-pop. And then there was the personal drama. Virgin Records, the band's label since 1987, fell under new management and soon after that it became clear to the band that the new regime did not understand Cracker's particular genius. Virgin understood "Countrysides" even less. Virgin bought the band's contract out but the band vowed to continue working on the record without Virgin's support. During the sessions after the split, keeping in the spirit of the record, David penned the funniest record company kiss-off song ever, "It Ain't Gonna Suck Itself." |
||||||
|
||||||
|
||||||
![]() |
![]() |
|||||