Ain
would prefer to summarise this biography with a simple, “pfff…,”
describe his music as “songs in the key of D”
and leave it at that – here is some extra.
Ain is from Kildare, Ireland. He came to Dublin as
a teenager, started a band with some friends, called The Opiates.
“Once described as ‘droney, shoegazers’ or something
to that effect, but I don’t think we really were. At that stage,
I think we just wanted to be Sonic Youth.”
Fast forward a couple of years and the desire to be Thurston Moore
has since been subsided, to be replaced by a bevy of influences –
the most rooted of which stem from the deep south delta blues of Mississippi
John Hurt, Walter Tangle Eye Jackson and the like. Imagine the haunting
howls of Skip James on “Devil Got My Woman,” invoked today
with all relevance in tact. This is the skewd folk-blues of Ain’s
laments.
It is from the Delta blues and a host of other influences from My
Bloody Valentine through Mazzy Star to Suicide, that Ain’s
off-kilter, Folk-Blues emerged. His song writing treads a path between
the raw, beauty of Will Oldham and the depraved solace of Elliott
Smith - “I like the idea of finding comfort in the appeal
of bad things, depraved things… And it goes well with the themes
of death, boredom and well… girls”.
Ain took his EKO guitar to London Town and earlier
this summer, entered 2Khz Studio with Ian Grimble in West London and
the result is the gloriously understated, six-track mini-album, 'Close
To Cotton'.
v.s.u.
Sold Heaven
Sunday
Inside Arc
Spill Our Hands
Close To Cotton |