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Artists www.berubecommunications.com |
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CENTRO-MATIC |
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| see also South San Gabriel | ||||||||
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On March 6th, 1996, Will Johnson climbed out from behind his drum kit, plugged in an electric guitar and fired up a one-man band named after a pawn shop accordion he had found in Thorny, Texas. The earliest Centro-matic shows were just Johnson's unmistakable raspy vocals, the growl of that electric guitar, and foot-stomping percussion. After a few of those solo shows, Johnson started to long for the band he'd hear in his head, so he recruited Scott Danbom, Mark Hedman, and Matt Pence to round out Centro-matic. The quartet became a North Texas staple, releasing album after album of anthemic fuzz rock and putting on a live show that became legendary -- beer-fuelled marathon sets that often stretched hours in length gave them a reputation as one of Texas's finest. Fast forward to 2006. A decade, almost to the day, and Centro-matic are readying the release of Fort Recovery. So much has changed. Centro-matic have toured throughout North America and Europe numerous times including sell out shows at the Beyond Nashville fest. They've logged time on the road with artists like My Morning Jacket, Drive-By Truckers, Ben Kweller, AMC, Death Cab for Cutie and countless others. Will Johnson's embarked on a successful solo career, and the Centro-matic boys have started a second band, South San Gabriel, for Johnson's hazier, more downtempo song writing forays which received Americana albums of the month in both MOJO and UNCUT. Between Johnson's three simultaneous projects, he's logged approximately 250 live performances in the past two years alone. Fort Recovery is the culmination of Centro-matic's past decade. Culled from a recording session that produced twenty-something songs, the dozen here are Centro-matic at their finest. Electric guitars screech, evoking the spectre of Crazy Horse; Pence's drums blast furiously; and Danbom perfectly colours the songs with shades of violin and keyboards. The ballads are bittersweet. Although oft compared to the Replacements and the Flaming Lips, the hooks are pure Centro-matic -- not just in the fist-pumping bar-rock binges, but in newfangled stoned-out hymns that plumb the bottom of the rock register. And you can't forget Johnson's vocals -- the sage voice we've come to know and love -- or his effortlessly highbrow lyricism, the words soaked in surreal imagery and heartfelt emotion. Fort Recovery is Centro-matic at the top of their game, giving up honest American rock and roll of the highest standard. Ten years is a long time. Yet Fort Recovery is not just about what's new with Centro-matic. For all the miles logged and hundreds of songs recorded, it's also about what stays the same. Sure, Centro-matic have cleaned things up a bit; some songs on Fort Recovery probably wouldn't have fit in on 1996's fuzz-rock classic “Redo the Stacks”. But Johnson, Danbom, Hedman, and Pence are doing exactly what they've always done. A decade after their first shows and recordings, the songs sound as solid as ever. And we've said it before, but hundreds of shows later, it's pretty much undeniable: They are the most reliably kick-ass live band in the Lone Star State. Press and band quotes... “Centro-matic is my favourite band that is still vital and intact. Their brand new album is their best yet. My un-mastered cd-r copy is my favourite album of 2005 and honestly my favourite new album of the past five years. I have listened to it several times a day for three weeks straight and like those great masterpieces of old I still find new things to love at every listen. Centro-matic's Fort Recovery is a masterpiece and I don't use that word often.” - Patterson Hood (Drive-By Truckers) "What makes Will (Johnson) such a phenomenal lyricist is that he opts for the simplest language when painting an abstract picture." - Ben Gibbard of Death Cab for Cutie in the New York Times
"It's hearty, stick-to-your-ribs fare that makes you proud to be an American."- Rolling Stone
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