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INDIGO
GIRLS
::: LIVE
::: October 29th,
TRIPOD, Dublin
Tickets: €28.00 and €31.50 inc booking fee from www.ticketmaster.ie
and www.tickets.ie
New Album "Poseidon And The Bitter Bug"
Out Now on IG Recordings/Vanguard Records |
The
Indigo Girls launch their own imprint to release their first
studio album in 3 years
The release will contain 2 CDs – a full band version and acoustic
disc with a bonus track
It’s been two decades since the Indigo Girls
launched their career with their independently released debut album,
1987’s Strange Fire. Now, after entertaining
millions of fans with their 10 major-label studio albums (nine on
Epic Records and one, 2006’s Despite Our Differences,
on Hollywood Records), Emily Saliers and Amy
Ray have come full circle with the independent release of
their new 2-CD album, Poseidon And The Bitter Bug,
on their new label IG Recordings, distributed through Vanguard Records.
The new album reunites the Grammy-winning duo with veteran producer,
arranger and keyboardist Mitchell Froom (Elvis Costello, Paul
McCartney, Los Lobos and others), who worked on the Indigo
Girls’ acclaimed 2006 release, Despite Our
Differences. Longtime bassist Clare Kenny,
drummer Matt Chamberlin and engineer David
Boucher make up the rest of the core band but the sound is
pure Indigo Girls, with uplifting, effortless harmonies;
honest, passionately involved lyrics and infectious melodies.
“Mitchell was able to build a bridge between Emily’s
songs and my songs more successfully than anyone we’ve worked
with“, says Ray, “he’s a musicians’
musician and has a very clear idea of what will work.”
Adds Saliers, “He likes Amy’s music and he likes my
music, which is not the easiest thing to find because we are so different
and our songs are different.”
The album was recorded in Atlanta in a whirlwind three week session
– they wanted to keep a sense of spontaneity and discovery to
the process. And it’s the songwriting that shines on Poseidon,
with the duo exploring new approaches to melody, harmonics and rhythm,
especially on Saliers’ “Digging For Your Dream,”
which she says is “as close to R&B as I’ve ever
gotten,” and Ray’s “Sugar Tongue,”
a fevered meditation on colonialism that finds her experimenting with
her higher vocal range to capture an innocence not commonly displayed
by the fiery rocker.
Says Saliers, “For a band like us, it might feel inauthentic
if we tried to branch out in some crazy way musically. That's why
Amy makes solo records, so she can do her own thing outside of what
we do together. As a unit, we do what we do and Mitchell just happens
to bring the best out of it. That's a good thing at this point in
our career.”
One thing the Girls have done differently on Poseidon
is include a second CD that features acoustic versions of all the
songs, plus a bonus track, “Salty South.”
It’s a chance for listeners to hear stripped down, organic versions
of the songs – just the Girls in a room with a few mics –
before the arrangements changed with the addition of the band.
With a Grammy, six Grammy nominations and a legacy of releases and
tours behind them, the Indigo Girls have outlasted many of their peers
and forged their own way in the music business. They’ve always
thought independently, and have always balanced their commitment to
music and performing with an unwavering commitment to social, political
and environmental issues – Ray and Saliers don’t just
talk the talk; they walk the walk. In 1991, Ray and Saliers co-founded
the non-profit organization Honor the Earth to raise awareness and
financial support for indigenous environmental justice, and over the
years they have supported groups fighting for women’s rights,
civil rights for same-sex couples, and the abolition of the death
penalty as well as voter registration.
Now with their own imprint, the Girls have come full circle; they’ve
weathered the ups and downs of the music industry and come out with
their musical vision and enthusiasm intact.
“I am overwhelmingly excited to be independent because it
really is where the heart of music sits for me,” says Ray,
“I don't have many regrets about the major-label life of
the band because we certainly got a lot out of it. We were lucky enough
to be on Epic when Pearl Jam and Rage Against The Machine were our
label-mates and the company was developing bands with the intent of
creating catalog artists. That has all changed, and it's just not
worth being on a major. It hasn’t felt worth it for a long time.
Beyond that, it never fed my soul the way an independent career can.”
“I feel a great sense of freedom in finally being rid of
the major-label world,” Ray says. “It’s
been a burden for a while for me. I felt an honesty and sincerity
making Poseidon, because I fully believe in independence.”
Saliers says, “It fees liberating and centering, even in
the midst of change.”
Poseidon And The Bitter Bug is the work of career
artists at the top of their artistic game, invigorated to be doing
what they love best – writing and performing music. With these
two CDs, the Indigo Girls give listeners an intimate
look at their songwriting and how it’s affected by the recording
process. Poseidon is a release that affirms their position not only
as musical icons but as artists who continue to live up to the high
standards they’ve set for themselves. |
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