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HAR MAR SUPERSTAR
 
 
 
 
   
 
     
 
 
   
 
HAR MAR SUPERSTAR
"Dark Touches"
Irish Release 27/11 on Dilettante Recordings
www.harmarsuperstar.com
::: HAR MAR SUPERSTAR ANNOUNCES ACADEMY 2 SHOW :::
LIVE in Dublin’s Academy 2 on Wednesday 9th December ~ Tickets are priced 15 Euro inclusive of booking fee.
Check mcd.ie for details.



After a five year hibernation since 2004’s The Handler, Har Mar Superstar, is ready to unleash his new LP Dark Touches on the masses, through Dilettante Recordings. On Dark Touches, Har Mar delivers his most club-friendly collection of jams yet. His silky smooth croon and tongue-in-cheek lyrics lead a nonstop dance party that blends everything from synth-pop to R&B, with ample hooks around every corner. Dark Touches builds a bridge between the worlds of indie and top 40 dance music, thanks in part to an eclectic group of collaborators.

The albums many guests include John Fields (Andrew WK, Jonas Brothers, Rooney), The Faint’s beatmakers Clark Baechle and Jacob Thiele, singer-songwriter Adam Green, P.O.S. of the Rhymesayers collective, Neon Neon’s Boom Bip, The Bird and The Bee’s Inara George, Flowers of Doom, and Samaire Armstrong.

The Bird and The Bee’s Greg Kurstin, who has also produced tracks for Britney Spears, Kylie Minogue, and Lily Allen, co-wrote and lent his studio wizardry to the first single “Tall Boy.” The track was originally intended for Spears and, with the unchanged lyrics, takes on a vibrant new life in the hands of Har Mar.

Har Mar is also getting ready to dip his toes into the world of Hollywood with the release of Whip It, a film directed by Drew Barrymore that he appears in alongside Juno’s Ellen Page and Arrested Development’s Alia Shawkat. As if he isn’t wearing enough hats already, Har Mar is also developing his own movie scripts and sitcom pilots. Along with his golden pipes, the ability to juggle multiple creative outlets is sure to win him entry into both the hearts and undergarments of women and men everywhere.

Tracklisting:

Intro
Sunshine
Got Next
Tall Boy
Turn It Around
Game Night
Gangsters Want To Cuddle Me
Creative Juices
Don't Ask Don't Tell
Dope, Man
Girls Only
Almond Joy
Turn The Key

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Like a butterfly emerging from a cocoon, Har Mar Superstar returns this fall with Dark Touches, his first album since 2004’s critically acclaimed The Handler. The new Har Mar retains his defiant sexiness and uncanny knack for irresistible R&B hooks, but fans his colorful wings in the spirit of inclusion. “Har Mar has always represented the most out-there and outrageous and in your face aspects of me,” says Sean Tillmann, the Los Angeles-based singer, songwriter and producer behind the Har Mar Superstar moniker.

Tillmann spent the past several years playing music with his other projects – Sean Na Na and Neon Neon, whose album Stainless Style was nominated for the 2008 Mercury Music Prize. But he also found time to launch a new career as an actor and screenwriter, earning roles in the upcoming feature films Whip It (directed by Drew Barrymore, and starring Juno’s Ellen Page and Arrested Development’s Alia Shawkat) and Lovely, Still. He’s developing his own movie scripts and sitcom pilots, building on the success of his “Crappy Holidays” videos; in each of the comedic shorts – directed by Ryan Rickett and written with John Ringhoff – Tillmann suffers a different cruel twist of fate for each holiday.

Har Mar Superstar was born ten years ago, when Tillmann was living in Minneapolis, playing guitar-based indie rock. The Har Mar idea, he says, was “a reaction to boring indie rock and how people were taking themselves way too seriously, and any aspect of playing and touring was no fun after a while, and I realized if I go to a dance party and sing an R. Kelly song on a couch, the girls are going to go f**king crazy. So I started transferring that to the stage and doing more R&B-oriented songs, and it really was a no-brainer after I’d done it a few times. Like, ‘why don’t I just make this gross, why don’t I just start writing songs like that?"And as soon as I did, it was obvious, it was like a light bulb went off and I went on my way and got more and more aggressive, and the shows became this weird exercise in sexual tension, and I really learned how to play with that fire and make it work for me.”

 
 
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